With the Phantom of the Opera dead, Erik tries to discover what role still exists for him at the Opera Garnier—or if there is one. Sure that he can never belong in the outside world, he questions if he can still belong inside the Opera either. And also to wonder why it bothers him so much when Meg spends more and more time with the handsome Léon de Troyes.
Fighting feelings she’s sure she shouldn’t have for Erik, Meg tries to balance a friendship with him, a flirtation with Léon, and her dreams about a life beyond the corps de ballet. But even a ballerina can’t keep her balance forever, and events escalate as their fragile dance begins to fall apart.
And neither Meg nor Erik suspect that Commissaire Mifroid—and Christine Daaé—may still have plans of their own.