Movie Review: When We First Met

https://upload.wikimedia.org/wikipedia/en/c/c7/When_We_First_Met.pngI was lately looking for something fun to watch on an afternoon, and decided after browsing Netflix to give When We First Met a chance.  Partially the premise was interesting, but also I wanted to see if I could repeat the magic of Netflix’s To All the Boys I’ve Loved Before.  And while I think that was a better movie, I was pleasantly impressed by this one too.

A time-travel romantic comedy, I freely admit this premise had the potential to be a little bit skeevy.  Noah has been carrying a torch for his friend Avery for three years, and hits rock bottom at her engagement party to Ethan.  He’s convinced that if he could just go back to the night he and Avery met, a Halloween party where they shared an instant connection, he could get it right this time to start a romance instead of a friendship.  Thanks to a time-travel photo booth, he gets the chance to try, traveling back to that fateful night.  Repeatedly.

There’s a little bit of Groundhog Day here, in that Noah keeps reliving the same night and trying to do something different each time, but with a very cool twist.  After each Halloween party, Noah bounces back to the present, the morning of Avery’s engagement party, and gets to see the effects of the choices he made.  His life (and Avery’s life) becomes radically different each time depending on how that crucial night went.  Not too surprisingly, he makes everything worse the first time.  And the second time.  And…  You get the idea.  I loved seeing the (admittedly slightly exaggerated) effects of his choices as each possibility plays out.

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Book and Movie Review: To All the Boys I’ve Loved Before

As part of my goal to read more love stories in 2019, I decided to give To All the Boys I’ve Loved Before by Jenny Han a chance.  I really enjoyed the movie version, so I figured it was worth trying the book–even though I wasn’t really a fan of The Summer I Turned Pretty, also by Jenny Han.  Well.  It turned out this was one of the rare times when the movie really was better than the book.

The fundamental premise of both the book and the movie is slightly absurd–teenager Lara Jean writes love letters to her crushes, not to send them, but just to put her feelings into words.  She writes them, addresses them, and then puts them away to save.  But then her letters get mailed by mistake–including the one to Josh, her sister’s (very recently) ex-boyfriend.  In a panic to hide her feelings for Josh, Lara Jean tries to convince him that she’s really in love with Peter, one of her other letter recipients.  Peter just broke up with his long-time girlfriend, and suggests that he and Lara Jean pretend to date, to make his ex jealous and to throw Josh off the track.

Like I said, it’s kind of absurd, but worth going along with.  At least in the movie, which had a lot I liked.  It’s a cute, funny teenage romantic comedy, with a silly premise but believable and likable characters.  I like that it has a lot of diversity–Lara Jean and her two sisters are biracial, Korean and Caucasian; besides their parents’ interracial relationship, none of the guys she crushes on are Asian.  Mostly white, one is African-American (and gay).  But what I liked best was that Lara Jean used her words, a lot.

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Movie Review: Christopher Robin

I missed Christopher Robin when it was in theatres last year, but I watched it just last week at home.  If I did end of the year ratings of the movies I watched, this would be a serious contender for best of the year!

The movie begins where the Winnie-the-Pooh books end–they overlap with the first scene of the movie and the last scene of The House at Pooh Corner.  I always thought this was one of the saddest scenes in literature, as Christopher Robin is growing up and going away, and has to say good-bye to Pooh and his other friends.  The scene is faithfully and beautifully reproduced.  Bring your tissues!  The movie then goes on, Christopher Robin grows up, and somewhere over the years he loses his way.  He becomes, to borrow a phrase from J. M. Barrie who also wrote of children growing up, a “man who doesn’t know any stories to tell his child.”  But then Winnie the Pooh comes out of a tree outside Christopher Robin’s house in London, and wants to bring him back to the Hundred Acre Wood.

I have a soft spot for the Winnie the Pooh characters, and this was a charming delight of a movie.  The characters are beautifully rendered, in terms of portrayal and the excellent CGI for the stuffed animals.  They truly feel like Milne’s characters brought to life, and the details are all spot-on.  I notice when movie adaptations get it wrong, and this one got it so very right.

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Book Review: The Inimitable Jeeves

In my quest for more funny reads this year, I turned to P.G. Wodehouse and an audiobook of The Inimitable Jeeves.  I am happy to report much hilarity was found.

This is the thirdish Jeeves book I’ve read–the previous two were both short story collections and turned out to have some overlapping.  This one was more properly a novel, but still very much episodic.  The premise was much the same as it was throughout the short stories: English gentleman Bertie Wooster gets into some sort of social scrape–or has a friend in said-scrape, in this book frequently Bingo Wilcox, who falls in love a good half-dozen times throughout the book–and turns to his utterly unruffled manservant Jeeves for help.  Or, alternatively, he tries to go it alone because he and Jeeves are on the outs, probably because Bertie is making a firm stance around a flamboyant article of clothing which Jeeves disapproves of.  Either way, Bertie usually manages to make the situation worse before Jeeves ultimately solves it with an ingenious manipulation of human nature.

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Book Review: Through Lover’s Lane

Continuing my L. M. Montgomery reading for this month’s challenge, I finally picked up a nonfiction book that’s been on my shelf for probably a couple years.  Through Lover’s Lane by Elizabeth Rollins Epperly is a nonfiction book about Montgomery; specifically, her “photography and visual imagination,” according to the subtitle.

This seemed to have a new angle on Montgomery and her life by exploring her photography, which I’ve encountered only through the photos she included (and were subsequently included by editors) in her journals.  I’ve also learned that I’m more interested in literary criticism that focuses more on Montgomery’s life vs. the larger world around her.  And finally, I’ve read a previous book by Epperly, The Fragrance of Sweet-Grass, which explored romance in Montgomery’s novels and was well-done. Continue reading “Book Review: Through Lover’s Lane”