TV Review: Elementary, Season One

I was recently lamenting Hollywood’s apparent need to force all platonic, opposite-gender characters into romantic relationships, and received a recommendation (thanks, Beedrill!) to check out Elementary as a contrast.  Happily, my library had Season One on DVD, and I had an opening in my “mystery show” viewing slot.

Elementary is a Sherlock Holmes-reimagining, set in modern-day New York (though Holmes is still British), following the adventure of recovering-addict and consulting detective Sherlock Holmes (Jonny Lee Miller) and his sober companion/eventual friend Joan Watson (Lucy Liu).  Consulting with the NYPD, it follows the usual mystery show format of a murder-a-week, with a later in the season arc involving archenemy Moriarty.

I was reluctant to watch this show back when it first appeared because the gender flip of Watson was weirding me out.  I think gender flips in general are interesting, but I had assumed Hollywood would do what Hollywood does and wind up with an eventual Holmes/Watson romance which just feels deeply, deeply wrong on some level, no matter who is what gender or orientation.  So it was good to hear that wasn’t the direction the show went, and I can verify that at least in Season One there isn’t even a hint of romantic interest between the show’s principal characters—which I find all to the good, because their friendship is more intriguing.

Continue reading “TV Review: Elementary, Season One”

Blog Hop: Duplication (Duplication Duplication)

book-blogger-hop-finalToday’s Book Blogger Hop question is: Do you own more than one copy of a book?

Only a few.  I don’t feel a need to own multiple copies of most books, since I only need one copy to read it.  But there are a few where different copies have provided a different value.  I don’t think the particular books I have multiples of will surprise anyone…

I have four copies of Gaston Leroux’s Phantom of the Opera–the cheap, paperback, bad translation copy I bought first and highlighted all over; the fancy, annotated, good translation copy; the French copy, just…because; and the illustrated copy because illustrations!

I also have a paperback Anne of Green Gables that’s part of a full set, and a 1914, “thirty-eighth impression” hardback, in the style of the first edition.  I have several of L. M. Montgomery’s books as both paper and audiobooks, because I wanted to  listen to them on audio and the library, alas, let me down on that score.

I have a complete Sherlock Holmes collection, and a paperback of Hound of the Baskervilles (my favorite, and easier to carry).  I also have a volume of Shakespeare’s complete plays, and a dozen or so individual plays as paperbacks (easier to carry, and better footnotes–actually, sidenotes, as I like the Folgers editions).  I have two copies of Walden–I inherited one I’m keeping for sentimental reasons, and also keeping the one I had already done all my underlining in.

And I think that’s it for duplicates!  All the other 700 or so books on my shelves are individual. Do you keep multiple copies of the same book?  If you don’t usually, what reasons would lead you to?

Writing Wednesday: Plotting Conundrums

Lately I’ve been trying to do some pre-planning for this year’s NaNoWriMo.  Mostly, I want to work out at least some concept of a plot arc, in contrast to my usual method of “pick a direction and go.”  That’s worked out sometimes, not so much others.  And I’m very excited about the characters I want to write about this November, so I want them to have a really great plot to play in.

I’ve been working with some tools to lay out the major sections and key turning points of the story, with tightly integrated plot and character developments.  The character arc really drives the shape of it…so I’m creating plot points to drive the character growth, although in a funny way it’s who the character is that drives how they react to the plot points, so…it’s a very confused cause and effect.

And even in semi-outlining, characters can rebel!  I have a pretty good handle on Rose, and worked out some plot twists that work very well with who she is and who she ends up becoming.  Terrence, on the other hand (you met him as a child last week), has not been cooperating.  He didn’t want to react to my plot points the way I expected, and seemed to be pursuing a goal completely different than the one I thought he wanted–which sent me back to the drawing board to see if I actually understood his character after all.

Part of the challenge, I realized, was that the motivations driving Terrence’s effect on the plot are not the same ones driving his character growth.  On a plot level, he’s deeply conflicted about his relationship with his father.  On a character growth level, he’s dealing with a lack of worthiness.  Are those related?  Absolutely.  Are they the same thing?  Mm, not quite.

People think writers just make things up.  Some days, even I think that.  And then on other days, with gratitude to Robin McKinley for the metaphor, it’s much, much more like trying to part the veil to look in on the Land of Story and see how it all happened.  Though I have to say–those are the most exciting stories to write in the end!

No excerpt today, because all I’d have to give you is a plot outline, and that would be giving rather a lot away, wouldn’t it? 😉

Blog Hop: Carrying Books

book-blogger-hop-finalToday’s Book Blogger Hop question is: Do you always have a book with you?

This used to be a yes.  I used to never leave the house without a book in my bag, even if I was going somewhere where I was very unlikely to read.  And then I started carrying a smaller bag…and this magic device in my pocket with endless access to entertainment!

I still carry a book a lot of places, and generally if I’m going to be stationary for an extended period of time I’ll make sure I have a book on hand.  I still bring a book to work every day.  I don’t do much reading out and about in the world, but the truth is, I don’t think I ever did.  I do seem to do far less reading in line at grocery stores now.  But I tend to do all my blog reading on my phone now, so at least some of that time is going to that.

I think I did read more when I carried a book everywhere–but I’m not sure about the cause and effect here.  Do I read less because I don’t carry a book as much anymore, or do I not carry a book because I’m not in situations with opportunities to read as much anymore?  Conundrum.

Do you carry a book with you?  Or is reading something you do at home?

Writing Wednesday: Character Trauma

I stepped away from revising for the last few days, to work on building and exploring characters for the novel I plan to write for NaNoWriMo come November.  I plan to expand on the two short stories I wrote earlier in the year, about the Princess Behind the Thorns.

I’ve been delving into the backstories, and particularly the terrible childhoods, of my two protagonists, Princess Rose Amelia and Prince Terrence.  As I explored Terrence’s past, I was inspired for a prequel short story to illuminate some of the ideas I was having.

I ended up writing a 4,000 word short story Sunday afternoon, a darker and grimmer story than I usually write.  And it strikes me that probably only writers understand the particular thrill of thinking, ooh, here’s a really terrible thing I can do to this character I love!

I’ll spare you the grimmest moments, and give you an excerpt from the comparatively positive aftermath.

********

His mother still looked pale, after it was all done, and he was stretched on his stomach on the couch in her room.  The cool cloth she pressed to his bared back helped with the pain, but not the guilt.

“I’m sorry, Mother,” he said, scrubbing at his damp eyes with one hand.  “I’ll be stronger next time.”

That was what his father wanted.  To make him stronger, to make him a proper prince who could be a proper leader some day.  It was his own fault he kept failing.

His mother sighed, and ran her fingers lightly through his rumpled hair.  “You are perfect, my Terrence.  You are kind and sweet and good, and don’t ever, ever change.”

It was nice his mother thought that.  But of course he knew there were lots of things wrong with him.

His mother’s door banged open and Elena rushed in like a windstorm.  “I brought the turmeric for the tea, Aunt Lillian,” she announced, dropped her bundle on the table and came over to inspect Terrence.  “How bad is it this time?  Ow—pretty awful.”

“It’s not that bad,” Terrence said, though he didn’t expect Elena to be sad about it like his mother was.

Elena was his cousin, his mother’s niece, and two years older than him.  She had lived at the castle most of her life, since her parents’ deaths, and at fifteen she considered herself quite the adult.  She was far more likely to get angry than to cry about anything.

Sure enough, she launched straight into a sort of combined scolding and consoling.  “It is too that bad, and it never should have happened at all.”

“I shouldn’t have—”

Your father shouldn’t have beaten you for losing a footrace against the servants!  Of all the ridiculous—I’d like to get a belt and—”

Elena,” Queen Lillian said sharply.  “Do not speak ill of the king.”

“I know, I know,” Elena said, plopping down in a puff of skirts to sit on the ground next to the couch.  “I didn’t say I would.  I’d just like to do…something.”

Despite the pain in his back, Terrence smiled into the couch cushion.  It was very Elena.  And he liked when he could be with his two favorite people, even if this was a bad reason for it.  He liked looking at them together, both small, both with perfectly straight brown hair and the same blue eyes.  He wished he looked more like his mother but, like all three of his brothers, he took after his father, with curly hair and dark eyes.