Thieving Through a Mythical Landscape

ThiefI’ve read The Thief by Megan Whalen Turner at least four or five times–and I feel like I see something new every time.

The story is about Eugenides (Gen for short), who claims to be the greatest thief in the world.  It appears there is only one thing he can’t steal–himself, out of the king’s prison.  He finds his opportunity, though, when the king’s advisor, the Magus, selects Gen for a mysterious quest, with something to steal at the end.  Joined by the Magus’ two apprentices and a body guard, the party travels through three countries and a landscape rich in mythology.

Gen is a splendid protagonist, apparently a crude thief but with undertones of thoughtfulness and depth.  He also has considerable pride in his art and a healthy belief in himself.  He’s in some ways an unlikely hero–small, apt to laze and complain, and with few indications of the nobility and honor you might expect from a fantasy hero.  But as I said…there’s depth!

I don’t want to give too much away here–but Gen is also an absolutely brilliant unreliable narrator.  He doesn’t lie so much as he omits…and sometimes he tells very revealing truths, but in such a way that the reader will most likely misread them and not learn anything after all.  It’s so well-done that I’m not too worried about spoiling it, because I doubt even someone watching for it will be able to spot what’s really being said!

The Magus also develops increased depth as a character, as he and Gen come to a wary–but by no means certain–respect for one another.  I have less to say about the rest of the traveling party, but suffice to say we get them to know them all as well, and there’s generally unexpected depth going on all around…

Apart from Gen and the secret twists of the book, the best aspect is the setting–something I rarely say about a novel!  The three countries of Sounis, Eddis and Attolia are clear and distinct.  The book manages to paint the economic and trade situation for the three countries, and situate it in the picture of the larger world…none of which are things I would expect to find interesting, yet here are plot-important and easy to understand.

There’s also the mythological landscape, which adds an extra layer.  Gen and the Magis tell a few mythological stories along the journey–and eventually the gods come to have a very active role in the current story as well.  The mythology is loosely based on Greek, but not in a one-to-one kind of way.  For one thing, the head of the pantheon of gods is female!  Despite the all-male traveling party we’re with most of the book, there are some strong women in here too, goddesses and humans.

The Thief is actually the first book in a larger series…which is something I try to forget.  I know there are people who love the rest of the series just as fiercely, but I simply don’t.  I really, really tried–I read the second book TWICE.  Unfortunately, I just can’t wrap my head around some of what happens to the characters later on–and especially some choices Gen makes.  So far, I haven’t been able to bring myself to read the following books.

However–I love the first book.  Read it.  Then go get some other opinions and decide whether to read the rest.

Author’s Site: http://meganwhalenturner.org/

Other reviews:
The Flyleaf Review
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Buy it here: The Thief

Magic in the Tanglewood Forest

Cats of Tanglewood ForestTalking cats and Charles de Lint–now how could I resist The Cats of Tanglewood Forest?  This made the rounds of the blogs I follow when it first came out, and I’ve finally jumped in to read it too.

De Lint gives us a folk lore-like story about Lillian, a girl who loves all the creatures in Tanglewood Forest–the real ones, and the ones who may be only stories.  When Lillian is bit by a deadly snake, the cats of the forest turn her into a kitten to save her life.  Lillian is offered what seems to be an easy and complete solution to her problem…but as Rumpelstiltskin would have warned her, magic always has a price, dearie.  When that price turns out to be higher than she ever imagined, Lillian must find a way to change things–even if it means she’ll go back to being a cat.

I finished this book several days ago…and I’m still not entirely sure how I feel about it.  On the one hand, I was a little disappointed to not see de Lint’s usual edge.  It was a different style than I expect from him–but it is a book for a younger audience, and the folk lore style that is here is very well done.  So that’s not really a complaint, though perhaps a warning for de Lint fans who may also have different expectations.

The plot is a little more of a problem.  Everything progresses in a reasonable fashion, but once I got to the end, I felt like the entire midsection–the bulk of the book–was really just a divergence.  That’s especially a shame because that section ends with Lillian deciding to make (what seems to me) a significant sacrifice for a loved one–and I don’t feel like de Lint gave that the emotional power it should have had.  If the midsection had been about Lillian’s growth to be able to make this huge sacrifice, great!  But it didn’t quite read that way for me.

All right, so much for cons.  On the pro side, the book moves along in a quick, easy read (so even a divergence doesn’t take long) that stays engaging.  There are a number of intriguing, folk lore characters that are fascinating to read about, from the comical Fox to the horrid Bear People to the mysterious Apple Tree Man and even more mysterious Father of Cats.  And all cats are pretty mysterious, of course!

Lillian is a likable heroine and I love her love of nature.  She’d fit in beautifully with L. M. Montgomery’s heroines, who love their wild surroundings and leave out milk for cats or for fairies.  Lillian is a little rougher around the edges, a little more hands-on than Montgomery’s heroines, but that probably improves her for a modern reader (with all due respect to Anne, Emily and the rest).

The best part of the book, though?  It’s illustrated, with gorgeous illustrations by Charles Vess.  Every chapter opens with an animal twined around the first letter, and every few pages there’s a full or half-page illustration breaking up the text.  The pictures are lovely soft water colors that give so much warmth and heart to the story.

So consider yourself warned that this is folklore, not urban fantasy, and the plot makes some strange choices…but it’s a good read anyway, and a visually beautiful book.

Other reviews:
A Reader of Fictions
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A Book Obsession
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Buy it here: The Cats of Tanglewood Forest

Questing with Emily of New Moon

Emily's QuestFinishing out my reviews of the Emily of New Moon trilogy by L. M. Montgomery, today is Emily’s Quest!

Book Three sees Emily back home at New Moon, continuing to pursue her writing.  Love-interest Teddy becomes a much more driving force in this volume, not so much in his presence as in his absence.  Emily and Teddy are driven apart through a series of circumstances and misunderstandings, and even though it’s sometimes far-fetched or conveniently coincidental, Montgomery grounds everything in such genuine emotion and human nature that I’m willing to go along with her.  Example: Teddy’s mother plays a convenient role in derailing their romance, but it’s so based in who she is as a character that I completely believe it.

Another strand of the plot is Dean Priest, Teddy’s only serious romantic rival.  He’s an odd one, as he’s likable and sympathetic in some ways, but I keep running up against the problem that he’s far too old for Emily.  This might be workable, except that it gets squickier because he harbors romantic feelings for Emily starting when she’s eleven, and is waiting for her to grow up.  On the other hand–Dean seems to realize this is all a little weird, and that he’s too old for her–which possibly should make matters worse but actually seems to help.  The realization comes with a strong overtone that he’s never, ever, ever going to do anything inappropriate, which makes it all a little less uncomfortable.

Although just as the Dean/Emily romance seems like a maybe, then he does some absolutely reprehensible things in the area of her writing, and I know some people have some very strong Dean-hatred as a consequence…  Personally, I think he’s a little like Mad Mr. Morrison from the previous book, in that Montgomery gives us just enough of how Dean sees the situation, and himself, that I end up feeling more sorry for him than angry.  Though it was reprehensible, and directly responsible for a lot of the sadder parts of the book.

Emily’s Quest was written directly after The Blue Castle, and it’s fascinating to look at Valancy’s blossoming from empty stagnation into a vibrant confidence and enthusiasm for life, compared with Emily’s vibrant youth and apparent path towards an emptier adulthood.

Emily is anguished at some points, and there are long stretches where she faces a very bleak future–and somehow that bleakness seemed even more affecting than the sharper pains.  As far as I can remember, the last time I read this I saw it as a pretty standard true-love-never-runs-smooth story where the point was to get through the travails to the happy ending.  This time I was really struck by all that’s being explored by those sections of darkness.  Maybe it’s just the effect of being older–maybe it’s because I read Montgomery’s journals and know exactly what she was drawing from to write these sections.  Either way, I found the book deeply moving on this read.

And for those who are worried…it’s worth noting that Emily believes in always giving her stories happy endings, and she’s a very autobiographical character. 😉

I feel like I’m making something of a litany of dark dark dark in these reviews!  But it’s so different from how Montgomery is usually viewed that I think it’s worth emphasizing.  And there is still soul-stirring beauty and occasional humor too.  If you really just want sunshine, then by all means, read Anne of Green Gables.  But if you want a few shadows to contrast with the light, then I highly recommend the Emily trilogy.

Other reviews:
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Buy it here: Emily’s Quest

Continuing the Climb with Emily of New Moon

Emily ClimbsFollowing on my review of Emily of New Moon, I’m looking at the next book in the trilogy today, continuing the story of Emily Byrd Starr and her dreams of being an author.

Emily Climbs by L. M. Montgomery gives us Emily’s high school years–even though she begins the book age 13, she felt about 16 to me throughout.  This volume focuses mostly on her writing and her family, as she starts to sell a few stories and poems, and spars with various relatives who cannot understand the things that Emily girl gets up to.  There are also a few ups and downs with best friend Ilse, who continues her wild flouting of propriety.

Male friends Teddy and Perry fade out for large sections of the book, which is a bit of a shame, as their scenes are some of the most compelling.  First, there’s a scene when Emily becomes accidentally locked in the empty church with “Mad Mr. Morrison” and Teddy comes to the rescue.  Later, all four friends take refuge in an abandoned house to escape a snowstorm, where Emily and Teddy share a suddenly soul-revealing glance; under the inspiration of new love, Emily spends the night dreaming out her great novel.  And Perry contributes one of the funniest scenes, narrating a disastrous dinner party he attended.

As you can probably already tell, we’ve left childhood, for the most part, behind by this second book, and ventured with Emily into more adult territory.  The scene with Mad Mr. Morrison is particularly striking for a number of reasons.  As I mentioned in my review of the first book, there’s a darker strain in Emily, and never more so than here.  Morrison is a generally harmless lunatic, endlessly seeking his lost love who died many years before.  He mistakes Emily for his lost bride, and the scene when he searches through the darkened church for her is truly terrifying.  Even though Montgomery mentions that when he finds girls he likes to stroke their hair (in other words–basically harmless), I don’t quite believe that, as the entire tone is that she’s in genuine danger.

Of course he doesn’t catch her, of course she escapes–it’s Montgomery, after all, and if she ever went to the really dark places I wouldn’t enjoy her so much.  But the Emily books go just far enough to make me feel like they’re set in a real world, where there are real problems–and I like that.  There’s also a beautiful conclusion to the scene, telling the reader how Morrison sees himself, the hero seeking his beloved, which brings him away from being a villain and turns him into a truly tragic figure shaped by lost love.

Emily also uses her second sight twice in this book, in more pronounced ways than she did in the first.  I always found these incidents a little baffling because the book is clearly not a fantasy, yet it has these moments…which somehow don’t read as though they’re meant to be fantasy.  Then I read Montgomery’s journal and found out she believed in prophetic dreams and, I would guess, other psychic phenomena (to a point!)

At the end of the book, we see Emily at a crossroads, making a decision about where her life will go next.  I understand her ultimate choice…but in a way I wish she had chosen otherwise, as I would have loved to see where her life would go down that path.  I also wonder if Emily’s decision is, to a certain extent, Montgomery’s efforts to satisfy herself about her path through life, when she never really had the opportunity to go the opposite direction.  I love reading Montgomery’s books from the perspective of knowing the contents of her journals too!

I was originally planning a combined review for both of the remaining books in the trilogy…but then I had more to say than I expected!  So come back next week for a review of Book Three, Emily’s Quest…

Other reviews:
Happy Endings
Becky’s Book Reviews
Lines from the Page
Bookshelves of Doom
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Buy it here: Emily Climbs

A Moonlight Heroine from L. M. Montgomery

Emily of New MoonIt’s been far too long since I read Emily of New Moon by L. M. Montgomery–ten years, I think, since I took the trilogy with me on a school trip to England.  In fact, I found a customs form tucked into my book!

Emily is a lovely and beautiful tale of an imaginative girl who dreams of being a writer–of climbing the Alpine Path to success.  She lives with relatives at New Moon farm, and runs about with her devoted friends, Ilse, Teddy and Perry.

The book sounds at a glance like it’s an opposite number to Anne of Green Gables, and there are certainly overlaps–kind yet not quite understanding guardians, the beautiful expanses of nature in Prince Edward Island, the bosom friends, flights of imagination and inevitable scrapes.  But from the very beginning, when Emily learns in devastating fashion that her beloved father is dying, there’s a tragic strain here that gives a different color to the entire trilogy.

The difference is visually clear, looking at Emily’s midnight hair versus Anne’s fiery red locks, but it goes much deeper than that.  Emily seems to feel things more deeply than Anne (despite all her drama)–both joys and sorrows.

The book also touches (with extreme discretion, of course!) on more mature subjects.  There’s Mr. Carpenter, Emily’s irascible teacher, who drinks on weekends because he feels his life has been a failure.  And there’s Ilse’s mother, who gossip has it left her husband and https://marveloustales.wordpress.com/wp-admin/post.php?post=4998&action=editbaby to run off with a sea captain.  Anyone who thinks Montgomery only wrote gauzy fairy tales with no shadows is wrong.

However–don’t come to the conclusion that the book is dark or morbid or depressing!  It’s still Montgomery–and it’s still Prince Edward Island–and there’s still more beauty than sadness.  Emily has her trials and her sorrows but she is also surrounded by love and buoyed up by her dreams, her joy in the beauties of nature and her passion for writing.  And while it’s been some time, I don’t remember being strongly conscious of the darker undertones when I read this at a younger age.

It’s fascinating to read this after all my reading of Montgomery’s journal.  There are strong autobiographical strands, especially in Emily’s writing goals and experiences.  I get a fun little moment of recognition every time I spot something from her real life–like when Emily’s aunt describes her blank verse poem as “very blank” (LMM’s father said the same once) or when Emily mentions a compact with a friend to never say good-bye (LMM had such an agreement with her beloved cousin, Frede).

You know I’m always going to recommend Montgomery books.  🙂  Emily of New Moon is a beautiful novel with an appealing heroine–and for adult readers, more depth and maturity than you might expect.  Those elements become even stronger in the next two books…so stay tuned for next week’s review of Emily Climbs and Emily’s Quest.

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Reading the End
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Buy it here: Emily of New Moon