Writing Wednesday: The Vicomte de Chagny

In revisions for my Phantom trilogy, I’ve been working on the scene that introduces Raoul de Chagny, Christine’s love interest–one of them!  We see him through Meg’s eyes in my novel and…he probably doesn’t come off as well as he does in some versions!  Here are her initial impressions, which probably sum up my portrayal of him rather well.

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I was about to ask her directly if she was looking for someone, when her hand closed around my arm and I saw that her gaze had settled on the far end of the Dance Foyer.  “Do you know that man?  The one talking to Sorelli?”

This could be the answer to the question I hadn’t asked.  I looked for Sorelli in the direction of Christine’s gaze.  The lead ballerina was easy to spot in her vivid red gown, talking to two men dressed in somber grays.  The older one was a usual visitor to the Foyer, and with a little thought I recalled the younger man’s name too.  “That’s Philippe, the Comte de Chagny, and his younger brother the vicomte, Raoul.  The comte and Sorelli have been, you know, keeping company for years.”  Surely Christine couldn’t have been looking for him.

“But Raoul,” she said in a low voice, “what do you think about him?”

“I don’t, usually.  I guess he’s nice enough.”  Continue reading “Writing Wednesday: The Vicomte de Chagny”

Blog Hop: Perchance to Dream

book-blogger-hop-finalToday’s Book Blogger Hop question is: Have you ever had a bookish, nocturnal dream? If so, please share the story. If not, have you ever had a daydream related to books? If so, please tell us about it.

I have always found it surprising how rarely I have dreams related to books, especially my own, considering how much waking time I spend thinking about them!  For the amount of time he spends in my thoughts, the Phantom of the Opera ought to stalk through my dreams on a regular basis, and yet I think he’s appeared…maybe twice?  In twelve years.  I can’t say with any certainty that I’ve ever dreamed about the characters or the world of my fairy tale quartet.  Other people’s books have not shown up any more often.

As for daydreams–well, most of my stories play out in my head before they ever get onto paper, and I don’t mean while I’m sitting in front of my computer.  The more clearly a scene is imagined, the easier it is when I start physically writing (because the imagining feels like a stage of writing).  Some imagined scenes never get written down, and I never feel a desire to imagine a scene after it’s written–it’s like it’s locked in place then, and there isn’t the same range for mental playing.

Considering how much I imagine consciously, I’ve always found it strange that my subconscious doesn’t utilize the same characters and settings.  And kind of a shame–I think that would be fun!

Do you have dreams inspired by books, once you’ve read or written?  Have you had daydreams even if you haven’t had sleeping ones?

Writing Wednesday: French Influence by Way of Mr. Dickens

I didn’t read A Tale of Two Cities with the intention of researching for my Phantom novel, but it has turned out that way anyway.  Not a lot has been directly relevant, but it has added some definite shadings through reading the history.  The book is set about ninety years before my novel, but considering the French spent the intervening time having repeated revolutions and changes of government, it feels like it still has a lot of bearing for my characters’ experiences.

And there was one direct edit I made as a consequence of reading about the howling mobs depicted by Dickens.  The Phantom, you see, has a terror of falling into the hands of a mob, something mentioned in the very first scene told from his point of view.  After reading this book, I made some key edits.  Here’s the paragraph as it was before:

Any attack would be more complicated than a simple mob with pitchforks; France was a civilized country, but the result would be the same.  The end of a noose or even worse—a cage.  He was guilty of the crime of being different, the world had convicted him at birth, and he had ample precedent to suggest how they would sentence him.

And with edits:

Any attack would be more complicated than a raging mob with pikes; France was a civilized country, outside of her sporadic revolutions.  The result would be the same.  The guillotine or even worse—a cage.  He was guilty of the crime of being different, the world had convicted him at birth, and he had ample precedent to suggest how they would sentence him.

Small changes, but I feel good about them.  Also, weird historical note: I looked up the history of the guillotine to make sure it was still in use in 1881.  Turns out, it was France’s standard method of execution until 1981, when they ended capital punishment.  !!!  But maybe if I was French, that wouldn’t seem weird after all…

Fiction…Monday: Christmas at the Opera Garnier (Part Two)

Happy holidays!  Today I’m continuing my Christmas excerpt from my Phantom of the Opera trilogy.  Read Part One here, for the preceding scene and a little more context.  Most of this excerpt is from Meg Giry’s point of view, though the last bit shifts to Erik’s (otherwise called the Phantom) point of view.

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Early Saturday morning I showed up to meet Erik with a basketful of garlands in my arms.  At Christmas the Opera Garnier became a whirl of garlands and trees and explosions of giggles among the ballet girls as they planned gifts or discussed hopes.  Not to mention Christmas music everywhere, as we practiced for a series of special performances around the holiday.

It was Christmas everywhere at the Opera, except belowground.

“What is that?” Erik asked warily, eying my basket as though something might jump out at him.

“Decorations,” I said, moving over to the wall of masks in the prop room.

“Where are you planning to decorate?” he asked, no less wary as he triggered the secret door.

“I was just thinking…it would be awfully nice…”

“I don’t decorate,” he said abruptly, but I was getting good at hearing the nuances in his abruptness and this one was more of a ‘go cautiously’ than ‘back away’ abruptness.

Not that I went very cautiously anyway.  “But you could.  And it’s so gloomy with no decorations!”

“It is not,” he protested.  “And I like gloom.”

I heaved a sigh.  “Well, I guess.  I can leave these here, I suppose…”

“What were you planning to do anyway, hang wreaths on my gargoyles?” he asked, and this time it was an ‘I’m pretending I don’t like this, but keep talking’ abruptness.

“Of course not, they have too much dignity for that.  I just wanted to put some garlands on your piano and mantelpiece.”

“All right, fine, give me that,” he said, pulled the basket of garlands away from me, and stalked off through the tunnel. Continue reading “Fiction…Monday: Christmas at the Opera Garnier (Part Two)”

NaNoWriMo Day 30+ and Crossing the 50,000 Line

I have been very remiss in posting on here the last few weeks!  I had every intention of posting about the NaNo process as it happened…but then it happened to take up every spare writing moment I had!  I spent the month doing a lot of writing sprints before work, on my lunch hour and at odd moments here and there.  I spent most of the month hovering near the goal amount, and crossed the 50,000 after work on November 30th.  Then went out to my writing group!

So much for stats.  As to content–as I was beginning to feel earlier in the month, this turned out more of an exploration than a proper novel draft.  I think I got, perhaps, halfway through what would eventually be the story, but I’m not sure the first half always went the right direction.  I did a lot of world-building in October but not much plot-planning, and struggled to find it in November.

On the other hand!  I discovered some new things about my characters, and about the world even, and the themes emerged pretty strongly too.  I’m not exactly sure how much of what I wrote will end up in a final version–possibly a lot of fragments, cut up and rearranged.

I don’t plan to finish this semi-draft during December, as I often do with NaNo novels.  This was a good exploration and got me back in the writing rhythm after losing my speed some last year (too much revision, and too much other life going on too).  So I’m going to put this one away to think about some more, and in the meantime I want to play with some short stories and work on plotting…because that seems to be the big issue on my last three novel drafts that still need revision.  So it seems like a good time to play with something shorter to hone some skills.

For now though, have an excerpt from my NaNo novel.

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We approached the Great Hall, an intimidating enough building without uneasy thoughts to accompany an approach.  I had only been inside twice, once each year for the opening ceremonies of the new term.  The effect was quite different when streams of students were covering the plaza and heading through the open doors.

The rest of the time—well, I had passed the Great Hall hundreds of times, but it had always felt more like a mountain than a building, a prominent feature of the landscape but not something to approach, let alone enter.

Gery marched up to it fearlessly enough, bypassing the main doors for a small side entrance quite confidently.

The door opened on a short hallway, leading to a second, interior door, this one with a gargoyle sitting beside it.  “Who goes there?” the gargoyle intoned.  It was an old gargoyle, judging by the depth of the voice.  Those were the best ones.

“Gerhardt Greerson,” Gery said promptly, “with an appointment with Minister Drehagan.  And guest.”

I didn’t altogether love that, but the gargoyle squinted at us both then boomed, “Enter,” and the door swung open on a flight of stairs. Continue reading “NaNoWriMo Day 30+ and Crossing the 50,000 Line”