Questing with Emily of New Moon

Emily's QuestFinishing out my reviews of the Emily of New Moon trilogy by L. M. Montgomery, today is Emily’s Quest!

Book Three sees Emily back home at New Moon, continuing to pursue her writing.  Love-interest Teddy becomes a much more driving force in this volume, not so much in his presence as in his absence.  Emily and Teddy are driven apart through a series of circumstances and misunderstandings, and even though it’s sometimes far-fetched or conveniently coincidental, Montgomery grounds everything in such genuine emotion and human nature that I’m willing to go along with her.  Example: Teddy’s mother plays a convenient role in derailing their romance, but it’s so based in who she is as a character that I completely believe it.

Another strand of the plot is Dean Priest, Teddy’s only serious romantic rival.  He’s an odd one, as he’s likable and sympathetic in some ways, but I keep running up against the problem that he’s far too old for Emily.  This might be workable, except that it gets squickier because he harbors romantic feelings for Emily starting when she’s eleven, and is waiting for her to grow up.  On the other hand–Dean seems to realize this is all a little weird, and that he’s too old for her–which possibly should make matters worse but actually seems to help.  The realization comes with a strong overtone that he’s never, ever, ever going to do anything inappropriate, which makes it all a little less uncomfortable.

Although just as the Dean/Emily romance seems like a maybe, then he does some absolutely reprehensible things in the area of her writing, and I know some people have some very strong Dean-hatred as a consequence…  Personally, I think he’s a little like Mad Mr. Morrison from the previous book, in that Montgomery gives us just enough of how Dean sees the situation, and himself, that I end up feeling more sorry for him than angry.  Though it was reprehensible, and directly responsible for a lot of the sadder parts of the book.

Emily’s Quest was written directly after The Blue Castle, and it’s fascinating to look at Valancy’s blossoming from empty stagnation into a vibrant confidence and enthusiasm for life, compared with Emily’s vibrant youth and apparent path towards an emptier adulthood.

Emily is anguished at some points, and there are long stretches where she faces a very bleak future–and somehow that bleakness seemed even more affecting than the sharper pains.  As far as I can remember, the last time I read this I saw it as a pretty standard true-love-never-runs-smooth story where the point was to get through the travails to the happy ending.  This time I was really struck by all that’s being explored by those sections of darkness.  Maybe it’s just the effect of being older–maybe it’s because I read Montgomery’s journals and know exactly what she was drawing from to write these sections.  Either way, I found the book deeply moving on this read.

And for those who are worried…it’s worth noting that Emily believes in always giving her stories happy endings, and she’s a very autobiographical character. 😉

I feel like I’m making something of a litany of dark dark dark in these reviews!  But it’s so different from how Montgomery is usually viewed that I think it’s worth emphasizing.  And there is still soul-stirring beauty and occasional humor too.  If you really just want sunshine, then by all means, read Anne of Green Gables.  But if you want a few shadows to contrast with the light, then I highly recommend the Emily trilogy.

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Buy it here: Emily’s Quest

Feel the Power…and Beware the Groove

I recently re-watched an old favorite Disney cartoon that I thought would be fun to share: The Emperor’s New Groove, a wildly funny and absurd romp of a movie.

Emperor Kuzco devotes himself constantly to fulfilling his own every whim, with utter disregard for anyone around him.  One of his whims includes a new summer home (“My birthday present to me!”).  This is bad news for Pacha, whose ancestral village will have to be destroyed to make way for the Emperor’s new indulgence.  Kuzco makes a serious tactical error, however, when he decides to fire Royal Advisor Yzma.  She vows to kill him and, with the inept help of side-kick Kronk, accidentally turns him into a llama instead.  Forced to rely on Pacha for help, Kuzco has to find, well…a new groove.

The plot is absurd enough, but what really makes this movie fun are the wonderful characters and the hilarious dialogue.  Yzma is a seriously cracked villain, and so very funny in her wild speeches, hideous costumes and insane melodrama.  Check out this scene here as she plots destruction; it’s pretty much all quotable.  Trust me, I know this from experience. 🙂  I’m also convinced that Yzma is based on Norma Desmond from Sunset Boulevard.  Unfortunately, no one I know has seen Sunset Boulevard, so I can’t get a second opinion on that!

Kronk is a wonderful sidekick with a big heart, really big shoulders, and not enough brainpower to be evil.  He loves small furry animals and cooking, has a Shoulder-Angel and a Shoulder-Devil who confuse him, and he’s been known to formulate his own soundtrack.

Pacha is pretty much the nicest guy ever, with a really awesome family.  His wife, Chicha, is one of my favorite Disney women.  She’s smart, she’s capable, and she’s definitely the fiercer of the two in this partnership–while wearing a dress and taking care of her two kids–and did I mention she’s pregnant?  How often do you see a pregnant animated character?  Or, for that matter, a happily married Disney couple?  I love that Chicha is not a princess, or an action hero, or a fairy.  She’s just a really great, normal woman.  We need more of them in movies.

Kuzco is our narrator through the movie, and he’s goes on a believable arc of self-growth.  I particularly like the moment when narrator-Kuzco argues with in-the-action-Kuzco.  It’s an important turning point.  It’s not much of a spoiler to say that Kuzco grows from hilariously self-centered to a much more likable guy.

So we have fun characters, there are llama jokes, there’s also a very entertaining chattering squirrel…and there’s a nice message about consideration for others.  Though mostly the movie is about the funny lines.  This is definitely one of those movies where I’m going to wind up by saying–if you haven’t seen it, watch it!

Buy it here: The Emperor’s New Groove

Continuing the Climb with Emily of New Moon

Emily ClimbsFollowing on my review of Emily of New Moon, I’m looking at the next book in the trilogy today, continuing the story of Emily Byrd Starr and her dreams of being an author.

Emily Climbs by L. M. Montgomery gives us Emily’s high school years–even though she begins the book age 13, she felt about 16 to me throughout.  This volume focuses mostly on her writing and her family, as she starts to sell a few stories and poems, and spars with various relatives who cannot understand the things that Emily girl gets up to.  There are also a few ups and downs with best friend Ilse, who continues her wild flouting of propriety.

Male friends Teddy and Perry fade out for large sections of the book, which is a bit of a shame, as their scenes are some of the most compelling.  First, there’s a scene when Emily becomes accidentally locked in the empty church with “Mad Mr. Morrison” and Teddy comes to the rescue.  Later, all four friends take refuge in an abandoned house to escape a snowstorm, where Emily and Teddy share a suddenly soul-revealing glance; under the inspiration of new love, Emily spends the night dreaming out her great novel.  And Perry contributes one of the funniest scenes, narrating a disastrous dinner party he attended.

As you can probably already tell, we’ve left childhood, for the most part, behind by this second book, and ventured with Emily into more adult territory.  The scene with Mad Mr. Morrison is particularly striking for a number of reasons.  As I mentioned in my review of the first book, there’s a darker strain in Emily, and never more so than here.  Morrison is a generally harmless lunatic, endlessly seeking his lost love who died many years before.  He mistakes Emily for his lost bride, and the scene when he searches through the darkened church for her is truly terrifying.  Even though Montgomery mentions that when he finds girls he likes to stroke their hair (in other words–basically harmless), I don’t quite believe that, as the entire tone is that she’s in genuine danger.

Of course he doesn’t catch her, of course she escapes–it’s Montgomery, after all, and if she ever went to the really dark places I wouldn’t enjoy her so much.  But the Emily books go just far enough to make me feel like they’re set in a real world, where there are real problems–and I like that.  There’s also a beautiful conclusion to the scene, telling the reader how Morrison sees himself, the hero seeking his beloved, which brings him away from being a villain and turns him into a truly tragic figure shaped by lost love.

Emily also uses her second sight twice in this book, in more pronounced ways than she did in the first.  I always found these incidents a little baffling because the book is clearly not a fantasy, yet it has these moments…which somehow don’t read as though they’re meant to be fantasy.  Then I read Montgomery’s journal and found out she believed in prophetic dreams and, I would guess, other psychic phenomena (to a point!)

At the end of the book, we see Emily at a crossroads, making a decision about where her life will go next.  I understand her ultimate choice…but in a way I wish she had chosen otherwise, as I would have loved to see where her life would go down that path.  I also wonder if Emily’s decision is, to a certain extent, Montgomery’s efforts to satisfy herself about her path through life, when she never really had the opportunity to go the opposite direction.  I love reading Montgomery’s books from the perspective of knowing the contents of her journals too!

I was originally planning a combined review for both of the remaining books in the trilogy…but then I had more to say than I expected!  So come back next week for a review of Book Three, Emily’s Quest…

Other reviews:
Happy Endings
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Buy it here: Emily Climbs

Cinderella, As Told By the Kitchen Boy

File:Happilyneverafter1 large.gifDo you remember that Last Unicorn review a while back?  Well, when I watched the movie, the DVD also featured a trailer for Happily N’ever After—and for a rarity, a DVD trailer actually inspired me to watch something!  HNA had actually been in my Netflix queue for quite a long while, but finally seeing the trailer convinced me to actually order the disk…and it was as fun as the trailer promised.

An animated movie from Lionsgate, it reminds me a bit of Once Upon a Time mashed up with Tangled.  In a magic land where every fairy tale is playing out, Cinderella’s wicked stepmother gets control of the magic, and of the scales that control the happy or sad endings.  Pretty soon everything is going awry for Ella, who hopes that the Prince can save the day for her.  Unfortunately, what she doesn’t realize is that the Prince is unbelievably dense (and constantly consults a book to tell him the proper action to take).  Fortunately, Ella also has a friend named Rick, dishwasher and all-around flunky at the palace—and quite reminiscent of Eugene in Tangled.

This is not a deep movie, but it’s a lot of fun, from the cute Rick to the incredibly funny prince.  There are also representatives from several fairy tales, like the seven dwarfs.  I always enjoy twists on fairy tales, especially when ordinary people get to be heroic.  Rick is a great every-man hero, and the prince is hysterically funny in his earnest efforts (and failures) to do the heroic thing.

I also love that Rick is a long-time friend of Ella, who has been harboring a long-time crush–rather than having her love interest be a guy she danced with once.  The romance on Ella’s side comes together rather neatly, but I’m willing to assume she always had feelings for Rick, and she just hadn’t quite put it together.

One piece of advice, if you get the DVD, watch the alternate ending–it ties things up a bit more, and I think I liked it better than the actual ending.

https://i0.wp.com/upload.wikimedia.org/wikipedia/en/0/03/Happily_N%27Ever_After_2_-_Snow_White_Another_Bite_at_the_Apple_Coverart.pngAfter enjoying Happily N’Ever After, I went on to the sequel.  Unfortunately, as often happens with direct-to-video animated sequels, it doesn’t live up to the original–both in depth and in how downhill the animation goes.  Almost entirely new characters, this one focuses on Snow White, an irresponsible teenager who has to learn about kindness and true beauty when her father’s horrible fiancee starts creating trouble.  This has a nice message, which comes across as simplistic in the extreme.  It probably would be fine for a younger audience, but it didn’t strike me as likely to transcend and be fun for adults too.

Part of the issue is that the movie takes on a different tone, trying to bring in more modernity to the fairy tale world.  I was enjoying the idea of Snow White as a party-loving, make-up-using teenager for about two minutes…until she uses a magic cell phone to call her girlfriends, who answer with “Holla!”  And then continue saying it every third sentence…

On the plus side, there’s one really nice moment with Snow’s love interest, Sir Peter, who seems to be a genuinely compassionate, intelligent, interesting character (except that he looks disconcertingly like Rick!)  He actually rejects Snow White at a party when he realizes how shallow she is, and asks a different girl to dance.  Cartoons talk about beauty-within all the time, while making sure their kind-hearted heroines are also beautiful and have gorgeous dresses.  It was good to see a hero who really took a stand on the subject.

If you’re a fairy tale fan, the first Happily N’Ever After is a fun and clever movie.  The second one, you can probably give a pass!

A Moonlight Heroine from L. M. Montgomery

Emily of New MoonIt’s been far too long since I read Emily of New Moon by L. M. Montgomery–ten years, I think, since I took the trilogy with me on a school trip to England.  In fact, I found a customs form tucked into my book!

Emily is a lovely and beautiful tale of an imaginative girl who dreams of being a writer–of climbing the Alpine Path to success.  She lives with relatives at New Moon farm, and runs about with her devoted friends, Ilse, Teddy and Perry.

The book sounds at a glance like it’s an opposite number to Anne of Green Gables, and there are certainly overlaps–kind yet not quite understanding guardians, the beautiful expanses of nature in Prince Edward Island, the bosom friends, flights of imagination and inevitable scrapes.  But from the very beginning, when Emily learns in devastating fashion that her beloved father is dying, there’s a tragic strain here that gives a different color to the entire trilogy.

The difference is visually clear, looking at Emily’s midnight hair versus Anne’s fiery red locks, but it goes much deeper than that.  Emily seems to feel things more deeply than Anne (despite all her drama)–both joys and sorrows.

The book also touches (with extreme discretion, of course!) on more mature subjects.  There’s Mr. Carpenter, Emily’s irascible teacher, who drinks on weekends because he feels his life has been a failure.  And there’s Ilse’s mother, who gossip has it left her husband and https://marveloustales.wordpress.com/wp-admin/post.php?post=4998&action=editbaby to run off with a sea captain.  Anyone who thinks Montgomery only wrote gauzy fairy tales with no shadows is wrong.

However–don’t come to the conclusion that the book is dark or morbid or depressing!  It’s still Montgomery–and it’s still Prince Edward Island–and there’s still more beauty than sadness.  Emily has her trials and her sorrows but she is also surrounded by love and buoyed up by her dreams, her joy in the beauties of nature and her passion for writing.  And while it’s been some time, I don’t remember being strongly conscious of the darker undertones when I read this at a younger age.

It’s fascinating to read this after all my reading of Montgomery’s journal.  There are strong autobiographical strands, especially in Emily’s writing goals and experiences.  I get a fun little moment of recognition every time I spot something from her real life–like when Emily’s aunt describes her blank verse poem as “very blank” (LMM’s father said the same once) or when Emily mentions a compact with a friend to never say good-bye (LMM had such an agreement with her beloved cousin, Frede).

You know I’m always going to recommend Montgomery books.  🙂  Emily of New Moon is a beautiful novel with an appealing heroine–and for adult readers, more depth and maturity than you might expect.  Those elements become even stronger in the next two books…so stay tuned for next week’s review of Emily Climbs and Emily’s Quest.

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Buy it here: Emily of New Moon