Witches and Phantoms and Opera, Oh My!

I think we know that I madly love retellings of The Phantom of the Opera…and that Terry Pratchett’s Discworld series claims the “Funniest Book” spot on my End of the Year Rankings every year…so what could be more perfect than Maskerade, a Discworld retelling of Phantom?

I was inspired to pull this off my shelf recently after reading I Shall Wear Midnight, with its cameos from Granny Weatherwax and Nanny Ogg.  This is my…third?  fourth? read of Maskerade, and it stays just as funny on repeated visits.  Although my poor paperback now has a crack in the spine–which I kind of enjoy, because it’s cracked on my favorite page!  I feel like that’s a cliche that rarely actually happens…

Anyway!  Maskerade focuses on Granny and Nanny, who are coming to the unfortunate realization that you just can’t have a coven of only two witches, having recently lost Magrat as their third.  The only eligible girl in Lancre is Agnes Nitt–but she recently departed for the bright lights (and strong smells) of the big city of Ankh-Morpork, determined to reinvent herself.  Agnes wins a role at the Opera House due to her prodigious voice–but not a starring role, due to her prodigious size.  She is befriended by the wonderfully, incredibly idiotic Christine, who can’t sing but looks good in an evening gown.  When Christine’s mirror starts talking to her she insists on switching rooms with Agnes, and Agnes finds herself the recipient of music lessons from a mysterious man in a mask.

Meanwhile, the Opera’s new owner is very perturbed to find out that the entire Opera Company accepts the existence of a masked ghost who writes notes and gives directions and, in a recent development, kills people.  Granny and Nanny, from the most altruistic motives possible of course, decide that something is a bit off in Agnes’ letters home, and they must depart for the big city to investigate.

And there is mayhem and Death and hilarity and Phantom references and mad little notes with five exclamation points and suspicious cookery and sometimes most of those things all on one page. Continue reading “Witches and Phantoms and Opera, Oh My!”

Book Review: Cart and Cwidder – Drowned Ammet

One of my goals for Once Upon a Time was to reread Diana Wynne Jones’ Dalemark Quartet, which I last read in high school and largely forgot.  I successfully read them…but didn’t manage to get to reviews!  Today I’m going to look at the first two books, Cart and Cwidder and Drowned Ammett.

Cart and Cwidder is about a family of musicians traveling in a cart through Dalemark.  And just to clear up the title, a cwidder is a musical instrument (somewhat like a lute, I think).  Moril is our main character, the dreamy one of the family who isn’t sure about his talents.  The family is on their annual trip through South Dalemark, ruled by oppressive earls, back towards the “free North.”  Moril and his siblings find themselves suddenly thrust into the center of a brewing war when their father is killed and they must undertake a vital task he left unfinished.  Oh, and that cwidder in the title?  Definitely magical. Continue reading “Book Review: Cart and Cwidder – Drowned Ammet”

Princess of the Wild Swans

Continuing my Once Upon a Time reading (getting down to the end!), I squeezed in another fairy tale retelling with Princess of the Wild Swans by Diane Zahler.  By the same author as The Thirteenth Princess, this book is based on the Grimm tale, “The Six Swans,” and the Hans Christian Anderson story, “The Wild Swans.”  It makes things a bit less (ahem) grim in the process, but keeps good tension and magical danger too.

At the beginning of the book, Princess Meriel’s chief complaints are that she hates sewing, and that her five beloved older brothers don’t give her enough of their time.  Things take a sudden turn when her usually-doting father returns from a trip, and brings a new bride with him.  Meriel immediately dislikes Lady Orianna, and the new queen soon shows her true colors.  In order to clear the path to the throne for her own future son, Lady Orianna transforms Meriel’s brothers into swans.  Meriel seeks the help of Riana, a witch and healer, and her younger brother, Liam.  She learns the only way to free her brothers is by undertaking to sew five shirts from nettles…and it must be done before the lake freezes over for the winter and forces the swans away. Continue reading “Princess of the Wild Swans”

A Visit to Discworld to Finish the Story of Tiffany Aching

I found myself with a slight crisis recently, short on books and still waiting on holds, wandering the shelves of my tiny local library looking for something to carry me through the week…and was delighted to stumble upon I Shall Wear Midnight by Terry Pratchett.  Discworld is the one series I somehow feel no pressure to finish–it’s too big and too rambling and I just dip in at random whenever I feel so inclined.  But the Tiffany Aching subseries as always felt much more self-contained and continuous, so I have been meaning to finish that off.

The final book in the sub-quartet presents Tiffany Aching at sixteen, still new to her role as Witch of the Chalk, but settling into the position.  But Tiffany’s dance with the Wintersmith in the previous book has awoken an ancient evil–one who hates witches.  With hostility towards witches rising throughout the land, Tiffany must find a way to fight through the fear and prejudice to confront its root.  And that while dealing with the upcoming wedding of Roland, her some-time beau, and the sometimes harmful help of her devoted allies, the Nac Mac Feegles.

I love the way Pratchett has presented Tiffany’s growth throughout the quartet.  She has always been someone who does what needs doing, from rescuing her little brother from a Fairy Queen in the first book, to the unglamorous witch work of caring for the ill, elderly and forgotten in this final book.  Tiffany has gained wisdom and confidence all along the way, but like life, it’s often been a few steps forward, a stumble or two back, a redirection and a new leap ahead.  Tiffany’s not only learned how to fulfill her role, she’s very consciously had to figure out what that role is, and how she wants to fulfill it.  Pratchett has done a masterful job of keeping Tiffany always the same person, while growing her throughout the series.

And then there are the Nac Mac Feegles, the Wee Free Men, the drinking, fighting, carousing, honor-bound (but always their own interpretation of honor!) clan who swore loyalty to Tiffany as the Hag o’ the Hills and will stick with her through thick and thin, no matter how many times she tells them to go away.  I love how well Tiffany understands them by now, and her back and forth with them is hilariously brilliant.  For instance, she’s somewhat less than surprised–and remarkably calm–when Daft Wullie sets fire to her broomstick in midair, and staunchly denies responsibility while holding a lit match…

I also appreciated that Rob Anybody, the Nac Mac Feegle chief, did get one moment of more depth.  The Nac Mac Feegles, basically, are never serious…until the humans try to dig up the Nac Mac Feegle hill, and for just a moment we glimpse a very real fear and anger from Rob Anybody about his wife and children.  I’m not sure I really want more than one serious moment from the Nac Mac Feegles, but one was perfect.

Having read other Discworld books, I enjoyed a cameo for Granny Weatherwax and Nanny Ogg.  It’s always fun to see familiar characters from a different perspective, and I liked seeing them through Tiffany’s eyes–still the same characters as when they tell the story themselves, but with maybe a little more awe mixed in.

Pratchett’s books are all the more remarkable for being hilariously funny, while sharply insightful in their satire.  Here he personifies a familiar and particularly ugly side of human nature, the hatred of the Other simply because they’re Other.  Or as was said in another fantasy story, “we don’t like what we don’t understand; in fact, it scares us” (Beauty and the Beast, “The Mob Song”).  There it was against the Beast; here it’s against the witches, and there’s an added subtlety in the sense that part of the hatred comes because people know that the witches do what needs doing–what people guiltily realize they ought to be doing themselves and aren’t.

I already own all the City Guard Discworld books, and I think I need to start collecting the Tiffany Aching books.  They’re both my favorite kind of comedy–we have one stable, complex main character to ground us and guide us through the constant hilarity of everyone else around them.  This book was a wonderful end to the quartet, hilarious, insightful and deeply satisfying.

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Buy it here: I Shall Wear Midnight

Twice Upon a Time…and Once Upon the End

Somewhere earlier during the Once Upon a Time challenge this year, I read Half Upon a Time by James Riley.  I didn’t love it, but it had some intriguing parts to the ending, so I decided to go ahead and plunge into the second and third books in the trilogy.  And I thought I’d better plunge quickly before I forgot the details of the characters and the plot twists!  I didn’t love the later books either, but I do think they improved as they went, and overall I found the trilogy to be a pretty fun ride.

The first book introduced us to Jack, who considers himself more clever than heroic; May, a girl from our world who suddenly landed in Jack’s land of fairy tales; and Philip, a very proper handsome prince.  The second book, Twice Upon a Time, opens with the three of them searching for answers about May’s past, and for a way to defeat the Wicked Queen.  Their quest takes them to the Fairy Homeland (which has fallen under a Sleeping Beauty-style curse, thorns and all), into a slightly twisted Neverland, onto Blackbeard’s ship and under the sea, searching for a little mermaid.

As you can tell, this followed the style of the first book, mashing together familiar fairy tales and classic fantasy.  Riley mostly doesn’t retell stories–instead he takes the characters and gives them a new slant, or explores what might have happened to them after the traditional story ended.  Things get a little convoluted in the process, but there are some clever (and funny!) twists as a result.

The plot was entertaining, although at times I felt we were drifting pretty far from the main conflict, the fight with the Wicked Queen.  However, each individual adventure is pretty cool, so as long as you roll with it a bit, it works!

The third book, Once Upon the End, brings the Wicked Queen back to the center of the story.  There are fewer mashed together fairy tales (though we do get quite a bit of “Jack and the Beanstalk”), with the focus much more on Jack, May and Philip, and some very hard choices they each have to make about if, and how, they’re going to take a stand against the Wicked Queen.

That brings me nicely to why I think these books improved throughout the trilogy–the characters.  My main reservation on the first one was that the characters just didn’t grab me, feeling like basic fairy tale archetypes (even may as the “spunky princess”).  Fortunately, they gained more depth.  Philip was the one I most disappointed by, and he had the most satisfying growth.  He stayed the proper prince–but we got into the conflict of how hard it could be to always be noble and honorable and honest and good.  And what happens when two noble causes conflict, or the greater good requires a dishonorable act.

Jack got more interesting too, as he went on what was essentially a hero’s journey, finding his skills and his strength.  This was particularly apparent in the third book, where circumstances at one point make it very clear how far he’s come.

May, I am sorry to say, got more obnoxious in the second book, or so it felt to me.  However, she reined that back a bit in the third book, and went through some more complex character growth around who she can trust, and how to protect her friends.

The third book also gave us Penelope, also known as Sleeping Beauty.  And she was amazing!  She uses cursed spindle splinters as weapons!  And she gives Philip a stern lecture on how sometimes, he just needs to back off and let her handle things because she has a plan and he is not helping by swinging his sword around.  Penelope was not in this book enough, and I want another one about her.

I think this trilogy rides somewhere in between Middle Grade and Young Adult–the characters are sixteen which seems to imply YA, but the style feels a bit more Middle Grade.  A little lighter and a little simpler–so if you enjoy that, and fairy tale mash-ups, and are willing to ride with a little randomness…then this is just the trilogy for you!

Author’s Site: http://james-riley-author.tumblr.com/

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Buy it here: Twice Upon a Time and Once Upon the End