Agatha Christie is one of my go-to authors for audiobooks–I’m not sure how that happened, but there it is. The only downside to audio is that I can’t really flip back and see just what Dame Agatha said early on after a twist emerged, to decide if she lied to me or not. Reading (listening to) The Murder of Roger Ackroyd was particularly interesting because I happened to know the twist of the ending–it turned out to be fascinating to see how she built it all up. And she definitely withheld information, but she didn’t actually lie!
This is the third Hercule Poirot mystery, the fussy Belgian detective best known (I think) for The Murder on the Orient Express. In classic Christie fashion, wealthy Roger Ackroyd is found murdered in his study, rendering everyone else in the house a suspect. Poirot sifts through the web of motives, alibis and deceptions with the help of Dr. Sheppard, our first person narrator for the story. Everyone has something to hide, and the final twist truly is magnificent.
This was my favorite kind of mystery–an intricate puzzle with piece after piece gradually fitting together until the entire picture makes sense. There are many layers of narrative here, as most characters have something going on unrelated (but we don’t always know that) to the central murder.
In my quest for more funny reads this year, I turned to P.G. Wodehouse and an audiobook of The Inimitable Jeeves. I am happy to report much hilarity was found.
I’ve been watching the TV series Father Brown (a BBC series, available on Netflix) for many months now, and it’s quite delightful. I thought I’d try the original stories, written by G. K. Chesterton, and got The Innocence of Father Brown. the first collection of short stories, from the library. It was an engaging book with some clever mysteries–though not quite the Father Brown I was looking for.
Based on anecdotal evidence, you likely have never heard of The Go-Between by L.P. Hartley, but you might know its opening line: “The past is a foreign country. They do things differently there.” I picked the book up recently because Michael Crawford (of Phantom of the Opera fame) starred in a musical play based on the book–which was why I went to England last September! (I’d have gone eventually…but that was why it happened then.) The play was wonderful, Crawford was magnificent, and the book was pretty good too.
First I read Good Masters, Sweet Ladies: Voices from a Medieval Village by Laura Amy Schlitz. An unusual format, this is a collection of monologues (and two dialogues). Each speaker is a different character from the same village, each speaking about his/her life.