Blog Hop: Objectively Good–or Bad

book blogger hopThis week’s Book Blogger Hop question is a very BIG one: To you, what qualifies a book as good or bad? Are some books objectively better than others, or is it purely a matter of opinion?

I don’t think this one can really be treated as an either/or question.  There are some qualities of a book that, generally speaking, will make a book good or bad–but there will be exceptions to every rule, and there will be dissenting opinions on every book.

Trying to be as broad as possible, I would say that, for me, a good book requires characters who are complex and believable according to human nature; an avoidance of overt stereotypes, including (perhaps especially) gender stereotypes (although archetypes are completely acceptable); a plot that is both interesting and plausible; and writing that demonstrates a command of language and grammar and (at least a smidge) of the beauty of words.

So it follows that a bad book would have flat or implausible characters who may be stereotypes, a dull or impossible plot, and poor command of words.

But I already have a problem right there, because Edgar Rice Burroughs is one of my favorite authors, and he has completely flat, stereotyped characters more often than not (but he has thrilling plots and landscapes, and a beautiful way with words).  Like I said–exceptions to the rule.

It all gets much more wobbly though, because one person’s complex character will read flat to another; one reader will find a plot gripping while another finds it dull, while a third will say it’s full of implausibilities anyway; and gorgeous prose to one person will seem incredibly dense to another.  And this doesn’t even address the subject of whether a book has something profound to say, and whether it can say it alongside good plot and characters, or at the expense of those, and whether that choice matters (I say yes, many would say no).

Whew, it makes me wonder how I dare state public opinions on any books!  I think implicit in writing a book review is the understanding shared by reviewer and reader that this is my opinion, one I hope would be shared by the majority of the people who self-identify as interested in the same kind of stories I like.

And there, I think, I stop!  Would you like to take on this question? 🙂

Feuding Magical Families in Caprona

The next book in Diana Wynne Jones’ splendid Chrestomanci series is The Magicians of Caprona. This is another one focused mostly not on Chrestomanci and his Castle, taking the action instead to Italian-influenced Caprona.

In Caprona, there are two great spell houses, the Casa Montana and the Casa Petrocchi, and the two families have been bitterly feuding for two centuries (although they both get on well with Chrestomanci). The story begins with family problems within the close-knit Casa Montana, like young Tonino’s apparent lack of magical aptitude, or the question of finding an appropriate suitor for Cousin Rosa. The situation escalates, with threats from neighboring city-states, and only hope to save Caprona—finding the true words to “The Angel of Caprona,” said to be given by an angel centuries before. Soon both families are on an increasingly urgent search for the song, while forces are massing for war and something sinister is going on at the Duke’s palace…

Here we see again one of Jones’ best types of protagonists, the earnest boy hero, seemingly unlikely to succeed, who discovers hidden abilities. I don’t mean to be dismissive by classifying—it’s a type of story that works very well! Tonino is a particularly appealing boy hero, considering his love of reading, and his talent of talking to cats.  Boss cat Benvenuto is also a delightful addition of the story–I do have this fondness for cats in books, you know! 🙂

I particularly enjoy the spell houses, with their huge clan of aunts and uncles and cousins all living companionably together, making magic and cheerfully getting into one another’s business. It’s warm and friendly and vivid. I also love their magic, which centers around sung spells. Singing off-key or muddling words can (and does) have disastrous consequences.

Chrestomanci has a relatively small role here, though he does make a flying appearance early in the crisis, so his arrival near the end isn’t quite a deus ex machina. Besides, he performs his usual role of not actually solving the crisis, just helping the lead characters to solve the crisis themselves.

I wouldn’t read this one first, because it could make Chrestomanci a somewhat confusing presence, but it’s stand-alone enough to read anywhere after Charmed Life.  I have just one more Chrestomanci novel left, plus a few short stories, which I plan to review soon too!

Author’s Site: http://www.dianawynnejones.com/

Other reviews:
Masha du Toit
The Aroma of Books
Readers By Night
Anyone else?

Buy it here: The Magicians of Caprona

Following a Hero to the Top of the World

I launched my reading for Once Upon a Time with Hero by Alethea Kontis.  This also goes to my goal of reading more sequels, as it’s the follow-up to Enchanted.

Enchanted introduced us to the Woodcutter family, with their seven daughters, three sons, and penchant for stumbling into fairy tale situations.  Hero focuses on Saturday, the sixth daughter.  She’s spent her life out in the woods, felling trees with her father and brother, and dreaming of journeying in pursuit of a great destiny.  A series of mishaps leads to Saturday’s arrival at the mountain at the Top of the World, where she meets Peregrine and Betwixt.  Peregrine is an Earl’s son who was cursed by a witch’s daughter to assume her place on the mountain, and has been running around in masquerade (and a skirt) for uncounted years.  Betwixt is a magical creature who frequently shifts shape, but always to something combining animals (like a chimaera or a gryphon).  The three join forces to fight the witch, and the sleeping dragon under the mountain.

There’s quite a lot going on here…and I reduced half of it down to “a series of mishaps.”  I had trouble with the first several chapters of this book.  So much happens so quickly that I was beginning to get whiplash.  But then Saturday arrives at the Top of the World, where time moves much more slowly than the rest of the world…and the book slows down too. Rarely do I talk about a book slowing down as a good thing, but this was exactly what Hero needed.  The focus on only five characters on the mountain also helped…

In a way I had opposite problems to my experience with Enchanted–there, I rolled with the plot shifts but the romance felt insanely fast.  Here, the plot shifts were more dizzying, but the romance felt better.  The good news is that I still enjoyed both of these books!

The romance was not what I would call slow, but it still felt more like the normal YA book or chick flick speed.  Peregrine does fall pretty quick (but there’s a magical explanation about these visions he’s been having…) and Saturday holds out for a while longer.

One of the most interesting aspects of this book is the gender-reversal of the two leads.  Saturday is tall and strong and tough, a warrior who’s mistaken for her brother Jack.  Peregrine is described as effeminate, and spends most of the book in a skirt.  It’s a little vague on how much is who he really is, and how much is the curse, but it’s still the prevailing situation for most of the story.  In some ways the book is somewhat heavy-handed on the subject, but hey, I’m always happy to see a fierce heroine in fairy tales!

My favorite part may be Betwixt, the shape-changing creature with a snarky wisdom.  It seems to be a truth universally acknowledged that a hero in possession of a clever animal sidekick will find himself upstaged…

After a frenetic opening, Hero has a somewhat frenetic closing too, mostly (I think) setting up plot threads for the next book (which won’t be out for almost a year!)  That seems to be the fate of second books in a trilogy, and I felt satisfied by the plot threads that did wrap up…and I guess I’ll just have to wait until February, 2015 for the rest!

Author’s Site: http://aletheakontis.com/

Other reviews:
Fyrefly’s Book Blog
Good Books, Good Wine
The Book Smugglers
Anyone else?

Buy it here: Hero

Don’t forget, you can win a signed copy of my fairy tale retelling, The Wanderers! Just put #WanderersGiveAway in your comment to enter.

Saturday Snapshot: Comic Con, Scarf Edition

In my last two Saturday Snapshots, I shared photos of celebrity sightings at the Wizard World Convention.  No more celebrities this week, but I have been promising a picture of my completed Doctor Who scarf being worn…and since I wore it all day at Comic Con (and never tripped!–so proud), it was a perfect photo opportunity too.

WizardCon (1)Visit West Metro Mommy for more Saturday Snapshots–and have a great weekend!

Favorites Friday: TV Themes

A great TV show is one thing–a great TV opening theme song is something else entirely, and today I thought I’d make the nod to a few of my favorites…

Firefly: With its Western air and refrain, “You can’t take the sky from me,” this opening song perfectly encapsulates both the style and the theme of the show, in the way that the best openings should.  I just wish there were more verses (and episodes…but never mind that).

Big Bang Theory: This song crams the entire history of the universe into 20 seconds, and it’s fun and fast and a little bit frantic.  Again–kind of encapsulates the show!  Plus it’s really fun when you get a group of people who can spontaneously go through it in unison at high speed.  It sounds very impressive to people who don’t know the song!

Star Trek: Enterprise, “Where My Heart Will Take Me: I’m actually not sure this one is really in the right style for Star Trek, but on the other hand–I think it captures the “I can reach any star” theme at the heart of Trek better than the series’ episodes do.

Psych, “I Know You Know: This is a fun, bouncy opening song, that fits a fun, bouncy show…but what I really love is whenever the show changes the opening to reflect a particular episode.  Like sleigh bells for the holiday episodes, or Spanish lyrics when the plot involved a telenovela…(and I found a video with the different versions!)

And even though they’re not songs, honorable mentions to the openings of Star Trek and The Twilight Zone.  It doesn’t get more classic than to boldly go, and Rod Serling is our perfect guide through the land of both shadow and substance, whose boundaries are that of imagination…

Your turn!  What are you favorite television theme songs?